Timothy Peter Garrity, 1931-2020

Tuesday, March 10th, 2020 | Hocken Collections | No Comments

With sadness we record the death of Tim Garrity. Moe mai ra e hoa.

Tim held the position of Curator of Pictures at the Hocken for almost twenty years, from 1978 to 1997. His background in philosophy and skills as an artist equipped him well to carry out the variety of duties in this role, and he developed relationships with the visual arts community which greatly benefited the Library, developing the collection and creating important links with key practitioners.

Born in London, Tim arrived in New Zealand in 1948. He began his career as a painter; this led him to travel extensively overseas after study in Wellington, Christchurch and Auckland. He worked with Colin McCahon between 1962 and 1963 and represented New Zealand at the 1963 Paris Biennale.

Tim administered the Auckland Gallery’s Research Library from 1975 until the end of 1977, when he left to come to Dunedin. As a respected artist with an international reputation, Tim could establish a rapport with other artists who then gave material to the Hocken Pictures Collection or involved him in supporting written or other projects. Tim’s own researches led to the writing of a chronology of Dunedin art collector and philanthropist Rodney Kennedy for the publication The Kennedy Gift: Rodney Kennedy (1909-1989).

An interest in McCahon’s work was maintained throughout his working life and he wrote the introduction to the Hocken Library’s publication listing all the McCahon holdings entitled A Tribute to Colin McCahon 1919-1987. Tim also produced James Brown, caricaturist: a complete catalogue of the paintings, drawings and lithographs by James Brown (1818-1877) in the Hocken Library, and wrote the note introducing John Buchanan as an artist, in John Buchanan: artist botanist and explorer, a catalogue of his pictures in the Hocken Library, which was published to accompany an exhibition of Buchanan’s work in 1988. Another publication from that year, Geometric, abstract and minimalist painting at the Hocken, shows Tim’s approach to curating an exhibition exploring aspects of the Hocken collection which are less well-known.

Tim’s enthusiastic encouragement of first-hand study of the collection meant that he was greatly appreciated by Otago’s artists as well as by researchers from further afield. Tim was always unstintingly generous with his own time and knowledge.

Image: Timothy Peter Garrity 1987. George Griffiths photographer, ref: 99-182/051B.

Roy Colbert

Tuesday, July 25th, 2017 | Anna Blackman | No Comments

By Amanda Mills, Hocken Liaison Librarian, Curator Music and AV

It is with great sadness that we acknowledge the passing of Roy Colbert.

Colbert’s contribution to the local music scenes in Dunedin can not be understated – his 2nd hand music store ‘Records Records’ (formerly located in the Terrace Houses in Stuart Street) was the place many discovered new and different sounds, often recommended by the man himself. His mentoring of and friendship with Dunedin musicians was legendary, his influence so strong that Chris Knox called him ‘The Godfather’ of the Dunedin Sound. Colbert was also a very fine writer on all topics, especially sport and music, and his stories about local and international artists were told with honesty, humour, goodwill, and (more often than not) his tongue firmly in cheek.

Roy Colbert was a supporter of Hocken’s recorded music collections from its establishment in the 1970s when we began purchasing items from Records Records. Most recently in April this year a small number of rare NZ 45rpm discs were purchased from Roy.

Roy Colbert’s legacy looms large in Dunedin music, his kind and gregarious nature will not be forgotten, and he will be greatly missed.

Johnny Tahu Cooper, QSM, (1929-2014)

Monday, September 15th, 2014 | Anna Blackman | 7 Comments

Blog post prepared by Amanda Mills, Liaison Librarian – Music and AV

Johnny Cooper (the ‘Maori Cowboy’) was a local rock’n’roll hero.

Cooper grew up on a Te Reinga farm in the 1930s, becoming a fan of Gene Autry during his childhood. While living with his aunt and uncle, he listened to their 78rpm disc collection, his favourites being Autry, Tex Morton, and Wilf Carter. Cooper learnt to play the ukulele along with the records, soon performing to shearing gangs.

After gaining a scholarship and attending Te Aute College for two years, he went to Wellington and found work as a gravedigger. Not long after, he formed a country and western band with Will Lloyd-Jones on slap bass, Ron James on piano accordion, Don Aldridge on steel guitar, and later, Jim Gatfield on guitar. They called themselves Johnny Cooper and the Range Riders.


Johnny Cooper Rock and Sing

Rock and Sing With Johnny Cooper and his Range Riders. His Masters Voice, 1956. Hocken Sound Recordings. HRec-M 697

The band entered talent competitions, coming first in the talent quest at Wellington’s Paramount Theatre, winning £20, and an audition with HMV. In 1954 Cooper went to Korea to entertain the New Zealand troops, and on returning, HMV asked the band to record with the label. This resulted in their first hit, a duet with Margaret Francis of a cover of One by One, backed with Cooper’s own song Look What You’ve Done – a song that found another life 40 years later when it featured in ‘Once Were Warriors’. HMV then approached Cooper about recording a new genre: rock’n’roll. HMV were keen for Cooper to cover Bill Haley and the Comet’s smash Rock Around the Clock, though Cooper was sceptical, and didn’t really like the genre. However, he recorded it (and the b-side Blackberry Boogie), and it became a hit. Interestingly, Cooper’s version was released locally before Bill Haley’s version.

In 1956, HMV released its first New Zealand rock album, ‘Rock and Sing with Johnny Cooper’, a 10” compilation that placed his country recordings with Rock Around the Clock, and Blackberry Boogie. Cooper also released a second rock’n’roll cover by Haley – See You Later Alligator in 1956 (this time on 45prm as well as 78rpm disc).

Cooper’s third single made him a significant name in local music history. Pie Cart Rock’n’Roll (1957) was (as the story goes) about the Whanganui pie cart, where Cooper and the band would get their ‘pea, pie, and pud’ meals. Pie Cart Rock’n’roll was considered the first locally written rock’n’roll song. However, this is thought to be incorrect – Sandy Tansley’s 1957 song Resuscitation Rock (according to researcher John Baker) was released a few weeks before Pie Cart Rock’n’roll in September 1957.

Cooper and the band kept their audiences broad by appearing in variety shows. In the late 1950s he began the ‘Give it a Go’ talent quest, with musicians such as Mike Nock, John Rowles, and Midge Marsden appearing. The talent shows ended in 1968, and Cooper released his last single, Break the World in Two / Cold Cold Heart on Impact. He continued to perform in the 1970s as The Johnny Cooper Sound, and in the 1980s as part of the Original Ruamahanga River Band. He retired in the 1990s.

Johnny Cooper was 85 when he passed away last week at his home in Naenae.

Death of former Hocken Librarian, Michael Hitchings, 1924-2010

Monday, March 22nd, 2010 | Anna Blackman | No Comments

Joanna Paul (1945-2003), M.G. Hitchings, Hocken Librarian, 1965-84, March 1985, pencil on paper: 422 x 296mm, accession: 85/7, commissioned by the Hocken Library to appear on the cover of the 1984 Annual Report.

Hocken staff were saddened to learn of Michael Hitchings’ death on Friday 19th March. We record our appreciation of his contribution as Hocken Librarian from 1965 to 1984 and his ongoing support of the Hocken. We join his family and friends in mourning his loss.

The Hocken Library Annual report for 1984 published an appreciation of Michael’s work “RETIREMENT OF MICHAEL HITCHINGS. The retirement of Michael Hitchings on 30 June 1984 as Hocken Librarian marked the end of an era for the Library. His service was noted by the Hocken Library Committee at its meeting on 28 March 1984 in the following terms.
“The Committee notes Mr Hitchings’ decision to retire at the end of June 1984 with regret that he will be leaving the position of Hocken Librarian and gratitude for his achievement in that position since April 1965.

Mr Hitchings’ early career included meteorological work on Campbell Island before he became involved with research libraries in the field of New Zealand and Pacific studies. He worked briefly in the Library of the Auckland Institute and Museum, and from 1956 to 1965, with two interruptions, in the Alexander Turnbull Library; the interruptions were to take a Commonwealth Library Fellowship at LeHigh University, Pennsylvania, and to work as a New Zealand Government Historical Manuscripts Officer in London. From 1963 to 1965 he was Assistant Chief Librarian of the Alexander Turnbull Library.
Mr Hitchings was therefore well prepared to take the post of Hocken Librarian in 1965. Dr Hocken’s original gift had by then been developed into a notable collection, thanks to the foresight and devotion of two University Librarians, Mr J. Harris and Mr F Rogers, and the careful work of Mrs G Strathern, who was appointed assistant in charge of the Hocken Library in 1952, and her assistant Mrs L. Rodda, but its potential as a resource for research in many fields relating to New Zealand and the Pacific was understood by few people. The growth of advanced studies and research had only just begun, and there was only limited appreciation of the value to a university of a research collection of this kind.
It became Mr Hitchings’ task to build up the collections of the Hocken Library, to develop its services to scholarship, and to find, train and preside over the specialized staff that was needed. During his librarianship the collection has grown enormously. In his annual report for 1968 he said, “Total accessioned items now number 36,000, but the true holdings probably approach 40,000 for there are many unaccessioned volumes of newspapers, unbound periodicals and archives.” At the end of 1983, the number of “volumes in stock” totalled 131,000, and there were in addition 2587 metres of archives and manuscripts, 85,000 photographs, nearly 6,000 pictures, and many other items.
This accumulation of material has been essential, if somewhat embarrassing. The use that it is put to by increasing numbers of scholars depends not only on its existence but also on the work of the Library’s staff in organizing it and helping readers to use it. The Hocken Library stands very high in the scholarly world, to the great credit of the University of Otago, and this is due to the hard work and professionalism and the scholarly understanding of Mr Hitchings and his staff.
The achievements of the last nineteen years have not been gained without problems. The move to a new building, necessitated by the growth of the collection, was a difficult experience; and the services so avidly used have been provided under conditions of severe restraints on staffing. To a large extent, however, the Hocken Library’s problems have been caused by its success.
Mr Hitchings contribution has been enhanced by his involvement with the New Zealand Historic Places Trust and similar bodies and by his close association with scholars and creative artists. He is known by these to be a man of principle and of great integrity in the handling of material entrusted to the Library, and the Library has gained from this knowledge. His honours, the MBE, and the Fellowship of the New Zealand Library Association and of the Art Galleries and Museums Association of New Zealand, would have caused no surprise to those who have benefitted from his work.”

Hocken Librarian Sharon Dell reports, “Late in 2009 Michael and his former wife Maureen Lewis donated a collection of almost 115 art works and related hand printed books and catalogues to the Collection. The works reflect their long interest in the creative arts and their close relationships with writers and artists. Stuart Strachan and I had a Christmas lunch with Michael and as I left him my last words were to thank him again for the gift. “You know how much it means to us don’t you?” I said. He looked at me directly and deliberately and said “Yes, I do.”
I left him content that he was aware of our appreciation and the importance of the enduring contribution he has made to Hocken’s collections and research into New Zealand’s creative life.

Three Hocken Librarians at lunch: Sharon Dell, Michael Hitchings, Stuart Strachan, December 2009.