Posted on by smisu13p
A soundscape produced by Laura Gunther, for ANTH210 (Translating Culture)
About the soundscape:
This is a topic that felt most relevant to me and what was/is applicable to Dunedin culture. In order to encompass this in an audio format, I explored both my personal experiences as a woman, along with those experienced by others through a collection of audio recordings, woven together to produce the sound of a woman walking alone at night.
About the ANTH210 process:
The process of recording the soundscape audio came with its challenges; sound interruption was one of them. Many of my audio clips had to be re-recorded in order to achieve what I wanted out of my ethnographic research. Furthermore, finding relevant audio recordings came as a struggle. It came as quite a challenge to decide upon sounds produced within Dunedin that would provide me with the environment I had pictured within my mind. While this was eventually resolved, I also feared that my lack of technological experience would interfere with the quality of my soundscape, and I continued to believe this up until its submission. But thankfully, I recall that technological experience is not what defines the quality of a soundscape – rather it is its content and how it all comes together that matters.
My chosen format for the soundscape was intended to immerse the listener into the mind of a fearful woman – as many feel – when travelling alone at night. While this is not felt by all women, I wanted to produce a soundscape that was a harsh reality. Through these chosen sounds, a woman’s experiences, along with fears, is captured – producing an insight as to what a woman may experience – even in a student environment such as Dunedin.
This entry was posted in ANTH210 (Translating Culture), Case study, Undergrad coursework and tagged anthropology, ethnographic, ethnography, fear, female, feminism, feminist, gender, safety, Social anthropology, sound, soundscape, urban, walking, women by smisu13p. Bookmark the permalink.