Centre member, Associate Professor Annabel Cooper, is presenting a video conference seminar for the The Identities Network: Constructing and Contesting Dominant Identities in Aotearoa on Tuesday 1 November, beginning at 3pm.
Annabel will be discussing her current project Screen Wars: Remaking the New Zealand Wars in Celluloid and Pixels, a book on screen productions relating to the New Zealand Wars, from 1925 until the present day. The book covers fictional and non-fictional treatments, and film, television and digital media. One distinctive quality that they all share makes screen stories a particularly significant mode of making history about the colonial past: their creation involves both Māori and Pākehā actors, historical advisors, and to greater or lesser extent, crew. For most of these productions the film-makers also elected to film at or near historical locations. So, film productions operate as sites of encounter as well as sites of knowledge production. To what extent are the traces of these encounters, and these whenua, apparent on the screen? Each of these productions created a colonial past for a specific present. This body of successive reiterations provides an index to cultural memory of the colonial past. So, the question of which historical events seemed most compelling to successive generations, how the same figures were rendered at different historical moments, and the shifting emotional registers as the wars came to be thought of in different ways, is also central to this study.
In this session Annabel will take two examples from her book to discuss the way each is shaped by the tangata and the whenua of their production, by their filming on location, and by the traces of their presents as they render their pasts.
Venue: Your University videoconference room or your desktop
Time: Tuesday 1 November, 3 – 4pm
Register: Email Melanie firstname.lastname@example.org stating the seminar name and venue Chair: Avril Bell
The Department of English and Linguistics, the Postcolonial Studies Research Network, and the Centre for Research on Colonial Culture are pleased to host Professor Martina Ghosh-Schellhorn, Saarland University, Saarbrücken, Germany, from 14-18 March, 2016. Professor Ghosh-Schellhorn holds the Inaugural Chair in Transcultural Anglophone Studies at Saarland University. Her wide-ranging research areas include literary and cultural studies, popular culture, intermediality, popular and art-house film, diaspora studies, memory studies, museology, material culture, pedagogy and curriculum development and the canon.
While at Otago, she will give two presentations, to which all are invited.
Tuesday 15 March, 5.15pm-6.15pm, Archway 2 Lecture Theatre
Hosted by The Postcolonial Studies Research Network and the Centre for Research on Colonial Culture
“Re-Configuring Government Houses: Virtual Models and Life-Worlds in Transcultural Perspective”
This talk concerns a fresh approach to visualizing cultural heritage in a Transcultural Anglophone Studies (TAS) context. In collaboration with Artificial Intelligence experts, we have undertaken research into the material history of Empire so as to re-visit received historiographies with an aim to revising them in the light of contemporary analytical tools. The focus is on British Government Houses in transcultural perspective.
What was it like to live in a British Government House? I would like to use TAS’s xml 3D virtual model of Government House Calcutta (1803-) to demonstrate the advantages of using computer technology to support research into the field of colonial architecture by incorporating into it evidence of the various life-worlds found here. Besides taking a virtual 360o –tour of the building and its grounds, we will also be zooming in to one of its most representative interiors, the Throne Room. Accompanying us on our tour are a selection of the epistolary, autobiographical, as well as pictorial materials left us by the former incumbents of the House, the objects that they chose to be surrounded by, and the current use to which this still-functioning edifice is being put.
Department of English and Linguistics seminar presentation
Friday 18 March, 4.00-m-5.00pm, in Burns 4 Lecture Theatre
“Representing the Beautiful Forevers: Subaltern Lives Straight From the Page to the Stage?”
This talk, freely borrowed as its title is from Katherine Boo’s National Book Award winner, Behind the Beautiful Forevers (2012), seeks to address the problematic field of the so-called ‘Third World’ slum. I will be looking at Boo’s text as a project that sets out to (re-)present, for a ‘global’ readership, the lives of these Others, before moving to a recent example of another ‘global’ project: the much praised Behind the Beautiful Forevers as scripted by David Hare and performed by the National Theatre (Nov. 2014 – April 2015). What, we could ask, are the consequences when Boo’s narrative about Mumbai slum ‘dwellers’ [sic] is adapted for a mainstream British stage? Should we join the critics in their almost unanimous praise of a successful and, moreover, prescient transcultural stage production that claims to be ‘epic theatre’? What exactly are the implications of this packaging for consumption of subaltern life-narratives?
In this talk Professor Bill Waiser examines why the Willow Cree man Almighty Voice was the most wanted fugitive in Canada in the late nineteenth century and how his story and fate have been interpreted since his violent 1897 death at the hands of the North West Mounted Police.
The Centre is delighted to be hosting award-winning historian Bill Waiser (University of Saskatchewan), who will give a talk on his current research project on Wednesday March 9th in Burns 5 (Arts Building), beginning at 3.30.
Bill specializes in western Canadian history. He has been awarded the Saskatchewan Order of Merit, elected a fellow of the Royal Society of Canada, granted a D.Litt., and is a University of Saskatchewan Distinguished Chair (Distinguished Professor Emeritus). His most notable publications include: Saskatchewan: A New History (2005), winner of the Clio Prize, Canadian Historical Association; and with Blair Stonechild, Loyal Till Death: Indians and the North-West Rebellion (1997), a finalist for the Governor General’s Literary Award for non-fiction.
This talk is free and open to the public. Please come along!
This afternoon CRoCC member Associate Professor Annabel Cooper is presenting her research in the Department of Sociology, Gender and Social Work seminar series. The topic is ‘Narrating Colonial Conflict in the Early 1980s: Some Reflections on the Culture Moment of Utu‘. Her seminar examines how Utu re-makes the colonial past within a tumultuous present. It traces the film’s links to a series of documentaries of the same era, including Bastion Point – Day 507 (Mita, Narbey, Pohlmann, 1980), The Bridge – A Story of Men in Dispute (Pohlmann, Mita, 1982), and Patu! (Mita, 1983), and to the drama series The Governor (1977); and it investigates the contributions of significant individuals involved in the production, including Keith Aberdein, Wi Kuki Kaa, Merata Mita, and Anzac Wallace.
Annabel’s seminar begins at 3pm this afternoon at 530 Castle Street (530 C1).
The Centre has recently hosted two riveting research-based talks.
The first, on Sunday 10 May, was part of the Centre’s ongoing project, Global Dunedin. Professor Lisa Matisoo-Smith, a biological anthropologist from Genetics Otago gave a public lecture at Toitū: Otago Settlers Museum, “Who do you think you are – Dunedin?”
Lisa discussed the genetic ancestry of Dunedin’s population based on the testing of randomly selected DNA samples. This research is part of the “Africa to Aotearoa” project, in which Lisa looks at the deep ancestry of New Zealanders, which in turn is part of a wider international study, the Genographic project, funded in part by National Geographic. While one might suspect that Dunedin’s genetic make-up is essentially homogenous from its Scottish heritage, the research shows just how diverse Dunedin’s population is, in line with other major cities in New Zealand.
On Thursday, May 15 visiting scholar Dr Aaron Kamugisha gave a CRoCC seminar, “The Caribbean’s Intellectual History through Culture”. Aaron discussed the global impact of Caribbean theorist’s, particularly CLR James, amongst others, on the development and dissemination of anti-colonial thought and intellectual traditions. He placed these theorists in the context of the development of two threads of intellectual history: Caribbean Studies and Caribbean Cultural Studies, but argued that these thinkers ought to be understood in term of Caribbean radical thought.
On Thursday 14 May the Centre for Research on Colonial Culture is running a research seminar. The speaker is Dr Aaron Kamugisha who teaches cultural studies, the history of political thought & intellectual history at the University of the West Indies, Cave Hill. His recent publications include Caribbean Political Thought: The Colonial State to Caribbean Internationalisms (Kingston: Ian Randle, 2013), an edited collection Caribbean Political Thought: Theories of the Post-Colonial State (Kingston: Ian Randle, 2013); and another collection co-edited with Yanique Hume, Caribbean Cultural Thought: From Plantation to Diaspora (Kingston: Ian Randle, 2013).
Dr. Kamugisha’s talk is titled “The Caribbean’s Intellectual History Through Culture” and will be held at 1pm in 2N8 in the History Department’s Seminar Room.
All are welcome.
The Centre for Research on Colonial Culture is very pleased to be hosting Dr. Patricia O’Brien, an ARC Future Fellow based at the Australian National University. In 2012 she was the JD Stout Fellow in New Zealand Studies at Victoria University of Wellington, and in 2011 she was the Jay I. Kislak Fellow in American Studies at the John W. Kluge Centre at the Library of Congress, Washington, DC. From 2001-2013 she was visiting Associate Professor in the Centre for Australian, New Zealand and Pacific Studies at Georgetown University, Washington, DC. She is the author of The Pacific Muse: Exotic Femininity and the Colonial Pacific (Seattle, 2006) and is currently working on a biography of Samoan nationalist leader Ta’isi O. F. Nelson.
Dr. O’Brien is visiting the Centre until March 24th and while in Dunedin will be giving two research talks. Her first talk is on Wednesday March 18th in the Department of History and Art History (Burns 5, from 3.30) on ‘Ta’isi O. F. Nelson and the Mau: Australian Dimensions to New Zealand and Samoan History’. On March 23rd she will present a paper to Te Tumu: School of Maori, Pacific and Indigenous Studies called ‘The Trials of Mr Nelson: Ta’isi O. F. Nelson and Indigenous Resistance in Interwar Samoa’. This talk will take in Cen3 (Central Library) from 2.30.
We hope to see you at both talks!
The Centre is hosting an informal research seminar on ‘Revolutions and Empires in the South-West Indian Ocean, 1788-1810’ by Dr Sujit Sivasundaram (University of Cambridge), on Thursday 6 November, at 2pm, 2N8 (History Department Seminar Room) in the Arts Building.
CROCC is also sponsoring a public lecture by Professor A.G. Hopkins, (University of Cambridge) entitled, ‘Is Globalisation Yesterday’s News?’. This will be held on Monday, 10 November 2014 at 5:15pm in the Moot Court, Level 10, Richardson Building. Professor Hopkins is one of the leading economic historians of his generation and he has produced authoritative works on West African economic history (An Economic History of West Africa (1973)), the economics of British imperialism (the landmark two-volume British Imperialism co-authored with Peter Cain) and was one of the first historians to grapple with the analytical possibilities of globalisation (editing both Globalization in World History (2002) and Global History: Interactions between the Universal and the Local (2006)). Professor Hopkins has provided the following abstract, which suggests it should be an engaging lecture:
Globalization envelopes the world – and historians too. The ‘g’ word is now mandatory in titles of books and articles; Ph.D. students follow their leaders in dedicating their dissertations to the subject. Yet, not so long ago postmodern approaches to the past were equally compelling: if you could not tell your trope from your alterity and your Spivak from your Bhaba, your chances of landing a job were minimal. Wise investors buy at the bottom of the market and get out at the top. So, it is worth asking whether shares in globalization have further to run or whether full value is already in the market. One way of answering this question is by considering the reasons why historiographical phases, like empires, rise, flourish, and decline. This approach provides pointers to the current state of globalization studies and offers an estimate of the current value of the shares. The advice comes with a wealth warning: past performance has limited predictive power. As a famous trumpeter remarked when asked which way jazz was going: ‘man, if I knew which way jazz was going, I would be there already!’
Mark your diaries! Prof. Tony Ballantyne, Director of the Centre for Research on Culture, is giving a research talk titled “Moving Texts: Humanitarian Narratives and the British Empire in the 1820s and 1830s” as part of the Department of History and Art History’s Research Seminar Series. Tony’s talk will take place on March 26th in Burns 5 (Arts Building, University of Otago) and begins at 3.30.