In conjunction with Toitū Otago Settlers Museum, the Centre hosted the third lecture in the Global Dunedin Speaker Series on Sunday 13 May. Dr. Jill Haley, Curator Human History at Canterbury Museum, and a former archivist at Toitū, spoke to an attentive audience about album culture in colonial Otago and how engagement in this practice helped forge personal identity. In a richly illustrated talk, Jill discussed some the findings from her recent doctorate titled The Colonial Family Album: photography and identity in Otago, 1848-1890 (which can be downloaded from the University of Otago’s library here), which examined over 50 albums from Toitū’s collection. Although it might be assumed that albums were used by migrants to remember family and to assert familial connections to their former homes (whether Scotland, England or Ireland), instead the majority of album makers collected and displayed photographs that asserted their connections to their new home in the Otago colony. But album makers also included photographs that illuminated the global dimensions of their personal connections, including Priscilla Scott’s, which included images relating to places she visited with family, notably Peru, Hawaii and the United States. Increasingly, album makers also purchased photographs of local and international celebrities, as well as the the British Royal Family, for their collection.
Many thanks to Jill for a fantastic and illuminating talk that provided an insight into how the global practices of photography and album culture were shaped by local conditions and utilised to narrate personal identity.
The Centre’s monthly Global Dunedin Lecture Series resumes on Sunday 13 May with a talk by Dr. Jill Haley (Canterbury Museum), who will discuss the role of colonial photography and album-making in shaping the identities of Otago’s 19th century settlers. Jill’s talk will take place at Toitū’s Auditorium, starting at 2pm. All welcome!
With Religious Studies the Centre is co-hosting a visiting scholar, Pamela Klassen, Professor in the Department for the Study of Religion at the University of Toronto, where she is also Vice-Dean, Undergraduate & International in the Faculty of Arts & Science. The author of many books and articles, her most recent publications are The Story of Radio Mind: A Missionary’s Journey on Indigenous Land (U of Chicago Press, 2018) and Ekklesia: Three Inquiries in Church and State (U of Chicago Press, 2018), co-authored with Paul Christopher Johnson and Winnifred Fallers Sullivan. She currently holds the Anneliese Maier Research Award from the Humboldt Foundation in support of a five-year collaborative project entitled “Religion and Public Memory in Multicultural Societies,” undertaken together with Prof. Dr. Monique Scheer of the University of Tübingen. For more information, see http://projects.chass.utoronto.ca/pklassen/
While in Dunedin Prof. Klassen will give several public talks. The first is a research seminar in the Department of History and Art History, Wednesday 11 April, 3.30pm, in Burns 5, ground floor Arts Building (95 Albany Street) on the topic “Photography, Resistance, and Re-mediation on Manidoo Ziibi”.
In this presentation, Prof. Klassen will consider the significance for studies of missionary colonialism of what scholars call the “photographic event,” focusing on a diary written by an Anglican missionary-journalist, Frederick Du Vernet, during his 1898 trip to visit the Ojibwe of Rainy River in Treaty 3 territory (also known in Canada as northwestern Ontario). Du Vernet recorded both Ojibwe resistance to and requests for his picture-taking. His stories reveal how the event of taking photographs marked his own longing to capture spiritual stories and presences and provoked a variety of Ojibwe responses to such forms of visual capture. The talk will also introduce a new visual/textual/audio remediation of the diary in the form of a digital storytelling website being developed with a team of students in consultation with the Kay-Nah-Chi-Wah-Nung Historical Centre of the Rainy River First Nations.
Two further public talks are planned:
“Frequencies for Listening: Telling Stories of Missionary Colonialism in the Wake of Canada’s Truth and Reconciliation Commission on Indian Residential Schools”, Public Lecture co-sponsored by the Centre for Research on Colonial Culture, 18 April.
“Treaty people and the spiritual vulnerability of colonial settlement”, a research presentation hosted by the Department of Theology and Religion, 20 April.
Further details about these events will be advertised in the near future.
On Sunday 8 April the Centre is hosting a Global Dunedin Lecture at Toitū’s Auditorium. Our speaker is Charlotte Macdonald (Victoria University of Wellington) who will discuss her Soldiers of Empire project, which is tracking the histories and legacies of the 18,000 men who served with imperial regiments in New Zealand during the 1860s. In this talk Charlotte will speak about Otago’s connections to this story with an emphasis on the wider imperial context, particularly with respect to social history and material culture. This is a free lecture and all are welcome.
This year the Centre is excited to be collaborating with Toitū on a Global Dunedin Speaker Series. It runs on a monthly basis, on a Sunday afternoon, and all talks take place at the museum Auditorium. This years series will feature local, national and international speakers, including Charlotte Macdonald (Victoria University of Wellington), Jill Haley (Canterbury Museum), Kate Bagnall (University of Wollongong), Rosi Crane (Otago Museum), Lea Doughty (Otago) and Ben Schrader (Wellington). We’ll be posting regular updates about this series throughout the year.
Tony Ballantyne will kick off the series on March 25th (see poster). We hope to see you there.
The Centre has had a busy start to 2018. We opened the year with an international symposium, co-convened by Judy Bennett (Otago) and Paul D’Arcy (ANU) on ‘Colonial Environmental Transformations and responses in the Pacific World: Crops, Disease, Pests, and catastrophe’, held at the Hocken in mid-February. Across two days we were privileged to hear from scholars working at the cutting-edge of Pacific environmental history. Papers touched on long-distance animal migrations, agricultural transformations, the politics of phosphate mining in French Oceania, climate change, genetic modification, and the impacts of major health events on indigenous communities, notably the influenza pandemic in Guam. Many thanks to the organisers for putting together such an exciting programme and to the presenters for sharing their work: Vicki Luker, Tamatoa Bambridge, Ryan Tucker Jones, Jane Samson, Matt K. Matsuda, Nicholas Hoare, and Anne Perez Hattori. We look forward to seeing the papers emerge in published form in the near future.
In February and early March the Centre had the pleasure of hosting a visiting scholar, Associate Professor Aaron Glass from Bard Graduate Center, New York. While in Dunedin Aaron presented on his digital humanities project as part of a well-attended open seminar with Associate Professor Conal McCarthy (Victoria University of Wellington) concerned with digital collections, museums and indigenous futures. Aaron also presented a workshop at Otago Museum on public anthropology and visited Te Papa Tongarewa where he also shared his research. Many thanks to the team at Te Papa, particularly Bronwyn Labrum, for making Aaron’s visit possible.
A number of events planned for the remainder of 2018 including an international workshop on new histories of whaling in the Pacific (at the University of Hawai’i-Manoa) in late June, and symposia on rural history and indigenous writing in November.
Throughout 2018 the Centre is sponsoring the Global Dunedin public lectures at Toitū Otago Settlers Museum. This is a monthly series of free talks running from March to October and we have a great line-up of speakers including Charlotte Macdonald (Victoria University of Wellington), Jill Haley (Canterbury Museum) and Kate Bagnall (University of Wollongong) along with many others. The series kicks off on 25 March with a talk by Centre co-director, Professor Tony Ballantyne (see poster). All are welcome!
A reminder that the Centre is sponsoring a film screening and workshop on 5 March. It starts at 10am and takes place at the Barclay Theatre, Otago Museum. All are welcome.
During his visit to the University of Otago, Associate Professor Aaron Glass (Bard Graduate Center, New York) will lead a workshop discussing his engagement in film as part of critical anthropology, the ethics of ethnographic representation, and collaborative research. All welcome. Details are below.
All are welcome to attend an open seminar on Thursday 22 February featuring two scholars who will speak about their current projects that aim to reconnect indigenous communities with objects and archives, making them available for future use and reinterpretation.
Location: Moot Court, 10th Floor, Richardson Building, starting at 10am
Associate Professor Aaron Glass (Bard Graduate Center, New York) will discuss his involvement in producing a new critical edition of anthropologist Franz Boas’s 1897 landmark book, The Social Organization and Secret Societies of the Kwakiutl Indians, which uses digital media to link museums, archives and communities while recuperating ethnographic records for current and future use. Not only did the volume make draw upon existing museum collections from around the world, Boas and his indigenous collaborator, George Hunt, left a vast archive of unpublished materials relevant to the creation and afterlife of the 1897 text, including hundreds of pages of Hunt’s corrections and amendments. An international and collaborative endeavour to create a new annotated critical edition of the book – both in print and in digital formats – unites published and unpublished materials with current Kwakwaka’wakw knowledge. This presentation discusses that project and presents an interactive prototype for the digital edition that re-embeds ethnographic knowledge within Indigenous epistemological frameworks and hereditary protocols for access.
Associate Professor Conal McCarthy (Victoria University of Wellington) will outline two current trends in museum research in Australia and Aotearoa: one looking back to the history of collections, ethnology and colonisation, and the other looking forward to digital technology, co-curating and an emerging indigenous Museology. It will briefly introduce various projects which aim to reconnect tribal descendants to ancestral heritage through digital tools which enable the reassembly of scattered records, material culture and images. It will introduce the Marsden-funed project ‘Te Ao Hou: Imagining Worlds in New Zealand, 1900-1950’ led by Anne Salmond at Auckland University, which follows Māori leaders Apirana Ngata and Peter Buck through their involvement in the Dominion Museum ethnological expeditions, the Polynesian Society and the Board of Māori Ethnological Research. It considers the mobilising of relational concepts such as whakaapa/kinship, which were applied in Buck and Ngata’s ‘practical anthropology’, and the lessons of their experiments for both Māori museum practice today and contemporary tribal development generally.