For those of you who were not able to join us last Thursday evening, you can now watch the keynote address here. Many thanks to Nicole Kearney for arranging this for us.

I have also posted a talk originally proposed for the symposium, but not specifcally related to natural history (though it does feature some marvellous animals in the watermarks). The talk is by Ian Christie-Miller, who has designed a very good system for photographing backlit watermarks and demonstrates in his talk the value of watermark information.

Thanks again to all who presented last Friday, esp. Rosi Crane for framing our day with clear connections to natural history publications in NZ, and to all who joined us online. I was relieved that the technology behaved for the most part, and am grateful for the support from the University lecture theatre technicians and eConferencing services. This was our largest symposium to date, thanks to online participation.

Double-page plate following Dedication; “Museum room, including crocodile on the ceiling”. By: Ferrante Imperato 1599. Courtesy of the Smithsonian.

Many thanks to all who submitted abstracts for the symposium.  We were not able to accommodate everyone, but we were excited by the high level of interest and pleased to welcome several participants from overseas who will join us by Zoom.  The selection of papers and speakers is given in our full programme.  The location of the symposium will be the St. David Lecture Theatre, across the Leith from the Clocktower building.  Even though we only anticipate a maximum crowd of about 70, social distancing arrangements mean that every other row is blocked off and only every third seat is usable, so we’ll be well separated.  Weather permitting, we’ll be able to circulate on the patio outside at tea breaks.  In any event, we can meet in person, but it will not be quite the same as past years.  And everything could still change if cases suddenly made their way south in the next 10 days.  We will advise everyone via email of any changes to plans.

Our keynote address will take place entirely via Zoom.  We look forward to hearing from Nicole Kearney and regret not being able to have her visit in person.

We will also be live-streaming the event for those who wish to join us from elsewhere or who are wary of groups in person.  We realise the NZ time zone is not ideal for everyone, especially Europeans.  We unfortunately do not have the resources to take a single recording of the event and reproduce individual presentations, and we don’t wish to break the day up into a string of separate Zoom meetings in the interest of sustaining conversations across the day.  So we do hope you can join us, at least for the talk or panel that most interests you.

The Centre for the Book and the English and Linguistics Programme is pleased to announce the publication of the latest title in the NZ Colonial Texts series.  This title, A Thousand Pities, was written by Ellen Taylor and published in London in 1901.  Now the novel is once again available, edited with an introduction by Kirsty Carpenter setting in the novel in its historical and social contexts.  An order form may be downloaded here, detailing payment options and contacts.

Happy reading!

The Centre for the Book welcomes registrations for the 2021 November Symposium on “Natural” History.  Whether you wish to attend in person or online, we ask that you sign up so that we can cater appropriately or be sure that you receive the Zoom links for the sessions.

Please click here to go to our very simple registration form.

We look forward to welcoming you and to learning more about the complicated and rich connections between print and the natural world.

People who read this blog will already be all too aware of the recent death of Prof. Lydia Wevers on September 4th.  One of the most generous and insightful and determined book historians any of us is ever likely to encounter.

To honour Prof. Wevers and to console ourselves, the Centre offers this link to some extracts from Lydia’s 2004 bibliomemoir, On Reading, reprinted in The Spinoff this week.

And thanks for Jackie McMillan for drawing these moving extracts to our attention.

Lockdown is a good time to learn to appreciate the great outdoors.  And once this lockdown finishes, the Dunedin Public Libraries will look forward to welcoming people back for a further ‘Continued Sense of Wonder’ session, this time devoted to an adult discussion of children’s books that bring to life the natural world through their stories and illustrations.

The discussion will take place online from 7:00-8:30 pm on Wednesday, 8 September.  All welcome, but bookings are essential to ensure you are sent the Zoom link.

Ed.: And congratulations to the DCC for creating the new role of Reading Promotion Coordinator, and to Jackie for her appointment in the role.

The Centre for the Book is delighted to be able to welcome back on of our most popular presenters, Prof. Janine Barchas from the University of Texas.  She will be delivering a public lecture entitled, “Two Copies, Two Prices, Two Readers: Victorian Books and Variable Pricing.” on Wednesday, 4 August at 5:30 pm in Archway 3.  We hope you can join us for this lively and heavily illustrated talk delving into the much discussed but rarely spotted “common reader”.

And for our fans farther away, you are welcome to join us via a live stream.  Please register here: Register.  You will be sent the Zoom link a few hours before the event is scheduled to start.

Fans of the Centre for the Book will recall Jeanette Wikaira’s excellent talk about this project at last year’s symposium. Now we have the opportunity to see the results of her work and the work of two other Otago scholars, Jacinta Ruru and Angela Wanhalla, so don’t miss the chance to call into the Public Library before the end of the month to learn more about the history of Māori scholarship in print.

A joint collaboration between Ngā Pae o te Māramatanga and the Royal Society Te Apārangi, Te Takarangi provides a glimpse into the rich publishing history of Māori-led-non-fiction work, with a particular focus on the later years as the growing publication of Māori research has blossomed. It acknowledges the mātauranga and inspirational Māori voices that shape and inform our scholarly debate in Aotearoa New Zealand.

Te Takarangi is an acknowledgement and celebration of Māori-led scholarship and writing across time and genres. The collection of 150 non-fiction publications provides an overview of some of the most important Māori leaders, thinkers and authors of our time. From the first book published about the Māori language in 1815, to current Māori scholars, researchers and writers making their mark, Te Takarangi is something we can all celebrate.
Friday 2nd July – Saturday 31st July, 2021
Ground Floor, Dunedin City Library, Moray Place

The Dunedin Writers and Readers Festival is bringing Charlotte Grimshaw to talk about her new memoir, The Mirror Book.  Full details available here.  The author will be interviewed by Phillippa Duffy, and given the controversial content of the memoir, it’s sure to be a lively discussion.  There can be few books that demonstrate more directly the powers of print, and hence of interest to the Centre for the Book.  Tickets required and will probably sell quickly, so don’t hesitate if you are interested.

The Otago Decorative and Fine Arts Society extends an invitation to all book lovers to join them for a talk (via Zoom) by a renowned English binder.  If you are not a member of the Society, guests are welcome for a $25 fee, with refreshments following the presentation.  Please RSVP to the Society’s Chairperson, Jenny Ross, if you wish to attend.
Dominic Riley is an internationally renowned bookbinder and teacher. He specialises in the restoration of antiquarian books and the creation of contemporary fine bindings.

He teaches bookbinding both in the UK and USA, and his prize-winning bindings are in collections worldwide, including the British Library. A Fellow of Designer Bookbinders and President of the Society of Bookbinders, in 2013 he won the prestigious Sir Paul Getty award in the International Bookbinding Competition, and his winning binding was acquired by the Bodleian Library in Oxford.