This study asks why our instant access to online news from around the world brings not global understanding but paralysing confusion.
It addresses this question by pinpointing the origins of our confusion in the newspaper, the medium that first juxtaposed news from many places on a single page. By analysing literary works from around the world that respond to news media from the printed daily to the Facebook newsfeed, it seeks to understand how the collage-like structure of the news produces our experience of the world as both instantly accessible and overwhelmingly complex.
The study interrogates literary responses to two key stages in this growing sense of global complexity: the information revolution of the late nineteenth and early twentieth centuries and the digital revolution of today. Literary responses to these revolutions illuminate the continuities and differences between how we first came to imagine the world through the patchworked form of the newspaper and how we imagine the world today through online newsfeeds.
Without investigating this interrelationship between imaginative texts and news media, we cannot grasp how we have come to view the world as bewilderingly complex and how we might reform our view to address issues of global urgency.
