{"id":185,"date":"2023-04-20T13:17:45","date_gmt":"2023-04-20T01:17:45","guid":{"rendered":"https:\/\/blogs.otago.ac.nz\/visualstudies\/?p=185"},"modified":"2023-07-01T17:16:34","modified_gmt":"2023-07-01T05:16:34","slug":"blog-cultures-histories-and-identities-in-visual-studies-research-network","status":"publish","type":"post","link":"https:\/\/blogs.otago.ac.nz\/visualstudies\/blog-cultures-histories-and-identities-in-visual-studies-research-network\/","title":{"rendered":"Research Seminar: Cultures, Histories, Identities in Visual Studies Research Network 3 May 2023"},"content":{"rendered":"<h2>Research Seminar: Cultures, Histories, Identities in Visual Studies Research Network \u00a03 May \u00a02023<\/h2>\n<p><strong>Room F209, F Block, Otago Polytechnic, Forth Street, Dunedin: 5 \u2013 7 pm<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><strong><em>&#8220;Digit Painting \u2013 brown\/purple over pink<\/em>, 2022, by Noel Ivanoff&#8221;<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Ed Hanfling, Dunedin School of Art<\/strong><\/p>\n<h2><a href=\"https:\/\/blogs.otago.ac.nz\/visualstudies\/blog-cultures-histories-and-identities-in-visual-studies-research-network\/ivanoff-brownpurple-over-pink-2022-web\/\" rel=\"attachment wp-att-192\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-192 aligncenter\" src=\"https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web-225x300.jpg 225w, https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web-768x1024.jpg 768w, https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web-1152x1536.jpg 1152w, https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web-1536x2048.jpg 1536w, https:\/\/blogs.otago.ac.nz\/visualstudies\/files\/2023\/04\/Ivanoff-brownpurple-over-pink-2022-web.jpg 1875w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/h2>\n<p><span style=\"color: #666699;font-size: 10pt\">Noel Ivanoff, <em>Digit Painting &#8211; brown\/purple over pink<\/em>, 2022, oil on plywood panel, 740 x 560 mm\u00ad\u00ad\u00ad\u00ad\u00ad<\/span><\/p>\n<p>This talk is an attempt to come to terms with one abstract painting by Auckland artist Noel Ivanoff, attending to the \u201ctouch\u201d of the painter and (perhaps) having recourse to the seemingly unremarkable (but possibly contentious) notion of the artist\u2019s personal sensibility, and (with some trepidation) placing Ivanoff\u2019s work in relation to an unfurling tradition of abstract painting in New Zealand by male artists, notably Milan Mrkusich and Ian Scott.<\/p>\n<p><strong>Ed Hanfling<\/strong> is an art historian, critic and occasional curator, and a lecturer in art history and theory at the Dunedin School of Art. His research focuses on issues of judgement and value, modernist abstraction and twentieth-century art in Aotearoa New Zealand. He is a co-author of 250 <em>Years of New Zealand Painting<\/em> (Bateman 2021), and has published books and\/or articles on a succession of male abstract artists \u2013 Milan Mrkusich, Ian Scott, Morris Louis, Mervyn Williams, Roy Good, et al.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Research Seminar: Cultures, Histories, Identities in Visual Studies Research Network \u00a03 May \u00a02023 Room F209, F Block, Otago Polytechnic, Forth Street, Dunedin: 5 \u2013 7 pm &nbsp; &#8220;Digit Painting \u2013 brown\/purple over pink, 2022, by Noel Ivanoff&#8221; Ed Hanfling, Dunedin School of Art Noel Ivanoff, Digit Painting &#8211; brown\/purple over pink, 2022, oil on plywood [&hellip;]<\/p>\n","protected":false},"author":42147,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-185","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/posts\/185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/users\/42147"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/comments?post=185"}],"version-history":[{"count":0,"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/posts\/185\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/media?parent=185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/categories?post=185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/visualstudies\/wp-json\/wp\/v2\/tags?post=185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}