Fox, Alistair. Melodrama, Masculinity and International Art Cinema. London/New York: Anthem Press, 2022. [236 pages]
Fox, Alistair. “‘They Came to Me in the Night’: A Midnight Sanctuary by the Torchlight of Memory.” In Wesley John Fourie: They Came to Me in the Night, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition “Wesley John Fourie: They Came to Me in the Night,” 27 August–24 September 2022, RDS Gallery, Dunedin.
Freschi, Federico. “Editorial: ‘multi.’” In Junctures 22 (2022): 6-9. https://orcid.org/0000-0002-9515-3303
Freschi, Federico. “Not Just Another Travelogue: Silence, Nostalgia and Pathos in Rachel Hope Allan’s Photographs of Japan.” In Rachel Hope Allan: Not Just Another Shinjuku Love Hotel, edited by Alistair Fox and Hilary Radner, pp. 5–10. Published on the occasion of the exhibition “Not just Another Shinjuku Love Hotel,” 13 May-18 June 2022, RDS Gallery, Dunedin.
Freschi, Federico. “Between Palimpsest and Pentimento: Abstraction and Painterly Process in Michael Greaves’s ‘The Promise and the Fall.’” In The Promise and the Fall, edited by Michael Greaves, pp. 5–7. Published on the occasion of the exhibition The Promise and the Fall, May 2022, Olga Gallery. Dunedin: Otago Polytechnic, 2022.
Hanfling, Edward. Review of Robert P. West, “Exact Air.” Art New Zealand 186 (Winter 2023): 55.
Hanfling, Edward. Review of Kirsten Carlin, “Yellow Ground.” Art New Zealand 184 (Summer 2022): 58.
Hanfling, Edward. Review of Deborah Rundle, “Tomorrow Is Today Now.” Art New Zealand 183 (Spring 2022): 65.
Hanfling, Edward. “Behind the Fortress Walls: A Conversation with Grahame Sydney.” Art New Zealand 182 (Winter 2022): 52–61.
Hanfling, Edward. Review of Felix Harris, “Magical Thinking.” Art New Zealand 182 (Winter 2022): 51.
Lonie, Bridie. “Felix Harris.” In Felix Harris: Silence in Paradise, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition “Felix Harris: Silence in Paradise,” June 2023, Olga Gallery, Dunedin.
Lonie, Bridie. “Ecological Thought in the Paintings of James Robinson, Jenna Packer and Ayesha Green.” In The Dialogics of Contemporary Art Painting Politics, edited by Simon Ingram, Gregory Minissale, Caroline Vercoe, Victoria Wynne-Jones, pp. 205-217. Bielefeld/Berlin: Kerber Art, 2022.
Lonie, Bridie. “‘Mind Wandering’: the Art of Wesley John Fourie.” In Wesley John Fourie: They Came to Me in the Night, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition “Wesley John Fourie: They Came to Me in the Night,” 27 August–24 September 2022, RDS Gallery, Dunedin.
McLean, Thomas. “Beyond the Frame,” North & South, June 2023, pp. 50–55.
McClean, Thomas. “Engraving and More: The Curious Career of Rona Dyer (1923-2021).” Art New Zealand 185 (Autumn 2023): 84-88.
McLean, Thomas. “Gorse! What is it good for?” North & South, February 2023, pp. 67–69.
McLean, Thomas. “Gorse Is People.” In The Making and Remaking of Australasia: Mobility, Texts and ‘Southern Circulations, edited by Tony Ballantyne, pp. 183-196. New York/London: Bloomsbury, 2022.
McLean, Thomas. “Beyond Steampunk,” North & South, November 2022, pp. 80–1.
Novero, Cecilia. “Striking (Up) Multispecies Friendships: Creative Collaborations with Crows and Hawks.” Società Italiana Antropologia Applicata, Verona, Italy, 14-17 December 2022. Refereed Conference Presentation; Libro del Convegno, pp. 84-87.
Novero, Cecilia. “Messmates at the Table: From Companion Pieces to Companion Species.” In Kate Fitzharris: Companion Piece, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition Companion Piece, October 2022, RDS Gallery, Dunedin.
Novero, Cecilia. “Avant-Garde Cli-Fi Avant-la-Lettre: Döbin’s Mountains Seas and Giants (1924).”Centro Studi Arti della Modernità, Turin, Italy, 14-18 May 2022. Refereed Conference Presentation.
Osborne, Joanna. Reviews of “Te Whanaketanga / Something is Happening Here,” Robin White; “Len Castle”; “Ka Kore Kua Kore,” Aidan Taira Geraghty (Kāi Tahu, Ngāi Tūāhuriri) & Moewai Marsh (Kāi Tahu, Kāti Huirapa, Ngāti Kahungunu ki te Wairoa), ODT, 15 June 2023.
Osborne, Joanna. Reviews of “Nirun,” Sorawit Songsataya; “The Wandering Womb,” Pleun Gremmen (Netherlands) and Menahem Wrona (Brazil); “For the Love of Birds: The artistic depiction and classification of New Zealand birds,” Dunedin Public Libraries, ODT, 25 May 2023.
Osborne, Joanna. “Sandra Bushby and Natalie Guy in Conversation with Margaret Johanna Paul,” NP. Published on the occasion of the exhibition “Blue Fleur,” Olga Gallery, May 2023, Dunedin.
Osborne, Joanna. Reviews of “Noise Collector,” Sujii Park; “Kā Kaihōpara,” Peter Robinson; “Tintypes,” Bridget Reweti, ODT, 27 April 2023.
Osborne, Joanna. Reviews of “Te Mai Peita,” and “Kare ā-Roto,” Angus Tahere Hayes, both at Tini Whetū Project Space; “Irreplaceable,” Kirstin O’Sullivan Pere; “Leaf,” Jae Hoon Lee, ODT, 30 March 2023.
Osborne, Joanna. “Allie Eagle (1949-2022).” Art New Zealand 183 (Spring 2022): 55-57.
Radner, Hilary. “The Cat’s Tale: Two Paintings by Felix Harris.” In Felix Harris: Silence in Paradise, edited by Alistair Fox and Hilary Radner. Published on the occasion of the exhibition “Felix Harris: Silence in Paradise,” June 2023, Olga Gallery, Dunedin.
Radner, Hilary. “The Greening of Aotearoa: Art and the Death of the Earth.” In Wesley John Fourie and Ngā Roma Poa: Green-screened, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition Green-screened, February 2022, Wave Project Space, Dunedin.
Radner, Hilary, “Kate Fitzharris: Companion Piece.” In Kate Fitzharris: Companion Piece, edited by Alistair Fox and Hilary Radner, NP. Published on the occasion of the exhibition Companion Piece, October 2022, RDS Gallery, Dunedin.
Radner, Hilary. “I don’t want your golden apple.” In I don’t want your golden apple, edited by Anita De Soto, NP. Published on the occasion of the exhibition I don’t want your golden apple, August 2022, De Novo Gallery, Dunedin. Dunedin: Otago Polytechnic, 2022. doi.org/10.34074/cata.220826
Radner, Hilary and Michael Greaves. “In Conversation with Michael Greaves, February 2022.” In The Promise and the Fall, edited by Michael Greaves, pp. 11-13. Published on the occasion of the exhibition “The Promise and the Fall,” May 2022, Olga Gallery. Dunedin: Otago Polytechnic, 2022. doi.org/10.34074/cata.220512
Raghav, Radhika. “Seeing is Believing: A Study of the Hindu Diaspora’s Visual Culture in North America.” In “The Politics of Representation in South Asian Visual Culture: Historical and Contemporary Perspectives,” panel organised by Radhika Raghav. Popular Culture Conference, the Society for Cultural Studies, Kulturwissenschaftliche Gesellschaft (KWG), Saarland University, 27–30 September 2023. Refereed conference presentation and panel. [Presenter and panel organiser; panel and paper accepted.]
Raghav, Radhika. “Honour and Masculine Pride for the Country: How the Bollywood Sports Biopic 83 Furthers India’s Nationalist Cause,” theconversation.com. 24 January 2022.https://theconversation.com/honour-and-masculine-pride-for-the-country-how-the-bollywood-sports-biopic-83-furthers-indias-nationalist-cause-174783 .[Translated by Geneviève Sellier and published in French as “Kabir Khan 83: Bollywood au service du nationalisme hindou,” genre-ecran.net, 7 April 2022,https://www.genre-ecran.net/?__83__ ]
