{"id":38,"date":"2010-11-22T00:12:00","date_gmt":"2010-11-22T00:12:00","guid":{"rendered":"https:\/\/blogs-dev.otago.ac.nz\/hocken\/2010\/11\/22\/all-hail-zealandia\/"},"modified":"2014-12-05T21:31:17","modified_gmt":"2014-12-05T21:31:17","slug":"all-hail-zealandia","status":"publish","type":"post","link":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/all-hail-zealandia\/","title":{"rendered":"All Hail! Zealandia!"},"content":{"rendered":"

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Zealandia was a familiar symbol to New Zealanders of the late nineteenth and early twentieth centuries. A<\/span>kin to Great Britain\u2019s Britannia and America\u2019s Columbia, she personified New Zealand in poetry, song, and political cartoons, and even appeared on postage stamps and household goods. Her statue surmounts the <\/span>Boer War memorial at Palmerston.<\/span><\/p>\n

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The depiction of Zealandia on the cover of the song \u2018All Hail! Zealandia!\u2019 emphasises the colony\u2019s youth and agricultural wealth (which apparently extended to the production of pineapples!). She carries the United Tribes flag, selected as New Zealand\u2019s first official ensign in 1834. Replaced by the Union Flag in 1840, it became an important symbol of M\u0101ori independence and resistance to Crown-perpetuated injustice. It also retained some currency as a patriotic symbol, appearing on this sheet music more than forty years after it fell from official use.<\/span><\/p>\n

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The first verse of the song proclaims: <\/span><\/span><\/p>\n

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All hail! Zealandia!<\/span><\/p>\n

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Queen of the Southern Isles<\/span><\/p>\n

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On whose bright destiny<\/span><\/p>\n

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Benignant Nature smiles<\/span><\/p>\n

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Louder than cannon\u2019s roar<\/span><\/p>\n

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Echo from shore to shore<\/span><\/p>\n

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All hail! Zealandia!<\/span><\/p>\n

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Zealandia! All hail!<\/span><\/p>\n


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The music was composed by Robert Peel Crosbie, a Railways Department employee and enthusiastic amateur musician from Christchurch. Francis Hopkins Valpy is sometimes credited with the words, but Crosbie claimed to have written them with Valpy\u2019s assistance. The first performance took place at Lyttelton in 1871 or 1872, several years before the composition of \u2018God Defend New Zealand\u2019. This makes \u2018All Hail! Zealandia!\u2019 one of New Zealand\u2019s earliest national songs.<\/span><\/p>\n


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An alternative setting by Dunedin music teacher Frederick Leech was published in 1874, and <\/span>widely performed during the following 20 or 30 years.<\/span> <\/span>Crosbie\u2019s original but less known version was eventually published in 1885 with a dedication to former premier Sir Julius Vogel. A reviewer at the time described the work as a stirring song of \u2018eminently national type\u2019 and suggested that it should become <\/span>immensely popular.
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The piece was \u2018uncommonly well printed\u2019 by the Lyttelton Times Company, although there is a spelling mistake on the cover for those who care to look for it!<\/span><\/p>\n


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All Hail! Zealandia!<\/span><\/i><\/span> Words and music by R.P. Crosbie<\/span><\/p>\n

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Christchurch: Lyttelton Times (printers), [1885].<\/span><\/p>\n


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David Murray, Assistant Archivist, Hocken Collections.<\/span><\/p>\n

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Zealandia was a familiar symbol to New Zealanders of the late nineteenth and early twentieth centuries. Akin to Great Britain\u2019s Britannia and America\u2019s Columbia, she personified New Zealand in poetry, song, and political cartoons, and even appeared on postage stamps and household goods. Her statue surmounts the Boer War memorial at Palmerston. The depiction of […]<\/p>\n","protected":false},"author":14625,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[463],"tags":[],"class_list":["post-38","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/users\/14625"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":0,"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/posts\/38\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/media?parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/categories?post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.otago.ac.nz\/thehockenblog\/wp-json\/wp\/v2\/tags?post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}